{"id":574,"date":"2017-12-28T16:10:46","date_gmt":"2017-12-28T09:10:46","guid":{"rendered":"https:\/\/tapchidouong.com.vn\/?p=574"},"modified":"2017-12-28T16:10:46","modified_gmt":"2017-12-28T09:10:46","slug":"nobel-van-hoc-2017-au-lo-ve-suc-song","status":"publish","type":"post","link":"https:\/\/douongvietnam.net\/?p=574","title":{"rendered":"Nobel V\u0103n h\u1ecdc 2017: \u00c2u lo v\u1ec1 s\u1ee9c s\u1ed1ng"},"content":{"rendered":"

Kazuo Ishiguro tuy \u0111\u01b0\u1ee3c gi\u00e1o d\u1ee5c theo truy\u1ec1n th\u1ed1ng ph\u01b0\u01a1ng T\u00e2y nh\u01b0ng t\u1ea1ng t\u00e2m h\u1ed3n v\u1eabn l\u00e0 Nh\u1eadt B\u1ea3n.<\/strong><\/em><\/p>\n

T\u00ccM TH\u1ebe C\u00c2N B\u1eb0NG<\/strong><\/p>\n

T\u1eeb 2015, khi thay phi\u00ean g\u00e1c v\u1ecb tr\u00ed tr\u1ecdng tr\u00e1ch – nh\u00e0 s\u1eed h\u1ecdc Peter Englund chuy\u1ec3n giao cho nh\u00e0 v\u0103n, nh\u00e0 nghi\u00ean c\u1ee9u ph\u00ea b\u00ecnh v\u0103n h\u1ecdc Sara Danius – \u1ee6y ban Nobel V\u0103n h\u1ecdc c\u00f3 n\u1eef th\u01b0 k\u00fd th\u01b0\u1eddng tr\u1ef1c \u0111\u1ea7u ti\u00ean trong to\u00e0n b\u1ed9 l\u1ecbch s\u1eed. V\u00ec l\u00e0 vi\u1ec7n s\u0129 Vi\u1ec7n H\u00e0n l\u00e2m Th\u1ee5y \u0110i\u1ec3n, b\u00e0 \u0111\u01b0\u1ee3c ng\u1ed3i chi\u1ebfc gh\u1ebf s\u1ed1 7, tr\u01b0\u1edbc kia thu\u1ed9c v\u1ec1 n\u1eef v\u0103n s\u0129 Selma Lagerl\u00f6f (1858-1940 – ng\u01b0\u1eddi ph\u1ee5 n\u1eef \u0111\u1ea7u ti\u00ean nh\u1eadn gi\u1ea3i Nobel v\u0103n h\u1ecdc). Hai n\u0103m v\u1edbi t\u00e2n th\u01b0 k\u00fd th\u01b0\u1eddng tr\u1ef1c t\u1ea1o n\u00ean c\u1ea3m gi\u00e1c gi\u1ea3i th\u01b0\u1edfng tr\u00ean tr\u0103m n\u0103m tu\u1ed5i n\u00e0y \u0111ang mu\u1ed1n n\u1edbi khu\u00f4n: n\u0103m 2015 tra\u043e cho m\u1ed9t v\u0103n nghi\u1ec7p phi h\u01b0 c\u1ea5u (Svetlana Alexievich, Belarus) v\u00e0 n\u0103m 2016 – cho d\u00f2ng th\u01a1 trong h\u00ecnh h\u00e0i ca kh\u00fac (Bob Dylan, M\u1ef9).<\/p>\n

\u1ede tr\u01b0\u1eddng h\u1ee3p Svetlana Alexievich, chuy\u1ec7n th\u1eadt c\u1ee7a nh\u1eefng ph\u1ee5 n\u1eef \u1edf m\u1eb7t tr\u1eadn, c\u1ee7a binh s\u0129 Li\u00ean X\u00f4 \u1edf Afghanistan, c\u1ee7a nh\u1eefng con ng\u01b0\u1eddi b\u00e9 m\u1ecdn v\u00e0 y\u1ebfu \u1edbt trong bi\u1ebfn \u0111\u1ed9ng c\u1ee7a \u0111\u1ea5t n\u01b0\u1edbc nh\u1eefng n\u0103m 1990 – x\u00e9t theo nh\u00e3n quan v\u0103n h\u1ecdc ngh\u1ec7 thu\u1eadt – c\u0169ng gi\u00e1 tr\u1ecb ngang ti\u1ec3u thuy\u1ebft h\u01b0 c\u1ea5u c\u1ee7a hai nh\u00e0 v\u0103n Ph\u00e1p Gustave Le Cl\u00e9zio (nh\u1eadn gi\u1ea3i Nobel 2008) v\u00e0 Patrick Modiano (2014) ho\u1eb7c th\u01a1 c\u1ee7a Tomas Transtr\u00f6mer (Th\u1ee5y \u0110i\u1ec3n, 2014), Wis\u0142awa Szymborska (Ba Lan, 1996). C\u00f2n Bob Dylan khi\u1ebfn ta nh\u1edb \u0111\u1ebfn m\u1ed9t ch\u00e2n l\u00fd c\u1ed5 x\u01b0a: th\u01a1 kh\u00f4ng ch\u1ec9 \u0111\u01b0\u1ee3c l\u00e0m ra, \u0111\u1ecdc l\u00ean m\u00e0 c\u00f2n \u0111\u01b0\u1ee3c h\u00e1t l\u00ean.<\/p>\n

\"\"<\/p>\n

Nh\u00e0 v\u0103n Anh g\u1ed1c Nh\u1eadt Kazuo Ishiguro.<\/em><\/p>\n

S\u1ef1 \u0111\u0103ng quang c\u1ee7a hai v\u1ecb n\u00e0y \u0111\u00e3 g\u1eb7p nh\u1eefng lu\u1ed3ng d\u01b0 lu\u1eadn tr\u00e1i chi\u1ec1u, c\u00f3 khi phi\u1ec1n ph\u1ee9c. \u0110\u01b0\u1ee3c vinh danh, n\u1eef v\u0103n s\u0129 Belarus th\u01b0\u1eddng s\u1ed1t s\u1eafng tr\u1ea3 l\u1eddi ph\u1ecfng v\u1ea5n v\u00e0 t\u1ecf ra b\u1ed9c tr\u1ef1c khi b\u00ecnh lu\u1eadn th\u1ebf s\u1ef1, l\u00e0m b\u1edbt \u0111i kh\u00e1 \u0111\u00f4ng ng\u01b0\u1eddi \u00e1i m\u1ed9 m\u00ecnh. C\u00f2n ngh\u1ec7 s\u0129 M\u1ef9 th\u00ec b\u1eadn… ng\u1ee7 b\u00f9, khi\u1ebfn b\u00e0 th\u01b0 k\u00fd th\u01b0\u1eddng tr\u1ef1c m\u1ea5t c\u1ea3 bu\u1ed5i t\u1ed1i v\u1eabn kh\u00f4ng th\u1ec3 b\u00e1o tin, sau \u0111\u00f3 su\u1ed1t hai tu\u1ea7n \u00f4ng l\u00e1nh gi\u1edbi b\u00e1o ch\u00ed. Ngh\u1ec7 s\u0129 c\u00f2n kh\u1ea5t b\u00e0i di\u1ec5n t\u1eeb nh\u1eadn gi\u1ea3i, khi\u1ebfn \u1ee6y ban Nobel V\u0103n h\u1ecdc ph\u1ea3i nh\u1eafc nh\u1edf \u201ctrong v\u00f2ng s\u00e1u th\u00e1ng kh\u00f4ng \u0111\u1ecdc di\u1ec5n t\u1eeb s\u1ebd m\u1ea5t ti\u1ec1n th\u01b0\u1edfng\u201d<\/strong> (8 tri\u1ec7u krona c\u1ee7a Th\u1ee5y \u0110i\u1ec3n, c\u1ee1 900.000 USD), r\u1ed3i khi ti\u1ec7n \u0111\u01b0\u1eddng du di\u1ec5n m\u1edbi th\u1ef1c thi b\u1ed5n ph\u1eadn trong m\u1ed9t khung c\u1ea3nh kh\u00e1 \u201cri\u00eang t\u01b0\u201d<\/strong>, m\u00e0 ch\u00ednh b\u1ea3n di\u1ec5n t\u1eeb c\u0169ng b\u1ecb nghi ng\u1edd c\u00f3 nhi\u1ec1u \u0111o\u1ea1n vay m\u01b0\u1ee3n c\u1ee7a ng\u01b0\u1eddi kh\u00e1c. Ng\u00f4i sao ca nh\u1ea1c \u0111\u00e3 ph\u00e1 v\u1ee1 m\u1ecdi \u0111i\u1ec1u kho\u1ea3n trong th\u1ee7 t\u1ee5c nghi\u00eam nh\u1eb7t c\u1ee7a \u1ee6y ban Nobel V\u0103n h\u1ecdc.<\/p>\n

H\u00ecnh nh\u01b0 Vi\u1ec7n H\u00e0n l\u00e2m Th\u1ee5y \u0110i\u1ec3n c\u0169ng c\u1ea3m th\u1ea5y h\u1eabng h\u1ee5t n\u00ean l\u1ea7n n\u00e0y nh\u01b0 mu\u1ed1n t\u00ecm th\u1ebf c\u00e2n b\u1eb1ng v\u00e0 x\u01b0\u1edbng danh Kazuo Ishiguro, qu\u1ed1c t\u1ecbch Anh, nguy\u00ean qu\u00e1n Nh\u1eadt B\u1ea3n. \u1ee6y ban Nobel V\u0103n h\u1ecdc ghi c\u00f4ng \u0111\u00e2y l\u00e0 nh\u00e0 v\u0103n \u201c\u0111\u00e3 th\u1ec3 hi\u1ec7n trong ti\u1ec3u thuy\u1ebft s\u1ee9c rung c\u1ea3m l\u1edbn, ph\u00e1t hi\u1ec7n ra nh\u1eefng v\u1ef1c th\u1eb3m b\u00ean d\u01b0\u1edbi c\u1ea3m gi\u00e1c m\u01a1 h\u1ed3 v\u1ec1 s\u1ef1 li\u00ean k\u1ebft v\u1edbi th\u1ebf gi\u1edbi c\u1ee7a ch\u00fang ta\u201d.\u00a0 \u00a0\u00a0\u00a0<\/em><\/strong><\/p>\n

NGH\u1ec6 S\u0128 B\u1ea4T TH\u00c0NH<\/strong><\/p>\n

Kazuo Ishiguro ra \u0111\u1eddi ng\u00e0y 8-11-1954 t\u1ea1i t\u1ec9nh Nagasaki, trong gia \u0111\u00ecnh m\u1ed9t nh\u00e0 h\u1ea3i d\u01b0\u01a1ng h\u1ecdc v\u00e0 m\u1edbi s\u00e1u tu\u1ed5i, theo c\u00f4ng vi\u1ec7c c\u1ee7a cha, \u0111\u00e3 ph\u1ea3i r\u1eddi n\u01a1i ch\u00f4n nhau c\u1eaft r\u1ed1n sang sinh s\u1ed1ng t\u1ea1i Anh. Tr\u01b0\u1edbc khi c\u01b0\u1edbi Lorna MacDougall l\u00e0m v\u1ee3 v\u00e0 c\u00f3 con g\u00e1i chung (1986), n\u0103m 1983, ch\u00e0ng trai Nh\u1eadt B\u1ea3n \u0111\u00e3 \u0111\u01b0\u1ee3c nh\u1eadn qu\u1ed1c t\u1ecbch Anh d\u00f9 t\u1eeb l\u00e2u \u0111\u00e3 s\u1eb5n s\u00e0ng h\u1ed9i nh\u1eadp: xong b\u1eadc ph\u1ed5 th\u00f4ng c\u0169ng \u201cph\u1edbt \u0102ngl\u00ea\u201d<\/strong> chuy\u1ec7n h\u1ecdc ti\u1ebfp, d\u00e0nh m\u1ed9t n\u0103m ngh\u1ec9 ng\u01a1i, chu du M\u1ef9, Canada, tham gia c\u00e2u l\u1ea1c b\u1ed9 ca nh\u1ea1c mong tr\u1edf th\u00e0nh c\u00e2y guitar chuy\u00ean nghi\u1ec7p. Nh\u1eefng cu\u1ed9c phi\u00eau du r\u1ed3i c\u0169ng ch\u1ea5m d\u1ee9t, sau \u0111\u00f3 ch\u00e0ng tu ch\u00ed h\u1ecdc h\u00e0nh, nh\u1eadn b\u1eb1ng c\u1eed nh\u00e2n Anh ng\u1eef v\u00e0 Tri\u1ebft h\u1ecdc c\u1ee7a \u0110\u1ea1i h\u1ecdc Kent (1978) r\u1ed3i b\u1eb1ng th\u1ea1c s\u0129 ngh\u1ec7 thu\u1eadt c\u1ee7a khoa s\u00e1ng t\u00e1c v\u0103n ch\u01b0\u01a1ng \u0110\u1ea1i h\u1ecdc East Anglia (1980).<\/p>\n

\"\"C\u1ea3nh phim chuy\u1ec3n th\u1ec3 ti\u1ec3u thuy\u1ebft “D\u1ea5u t\u00edch ng\u00e0y h\u00f4m \u1ea5y”<\/strong><\/em><\/p>\n

Tuy kh\u00f4ng tr\u1edf th\u00e0nh c\u00e2y guitar \u0111\u00ecnh \u0111\u00e1m, nh\u01b0ng kinh nghi\u1ec7m bi\u1ec3u di\u1ec5n tr\u01b0\u1edbc c\u00f4ng ch\u00fang \u0111\u00f4ng \u0111\u1ea3o c\u0169ng gi\u00fap \u00edch kh\u00e1 nhi\u1ec1u cho nh\u1eefng trang v\u0103n. Trong ti\u1ec3u thuy\u1ebft The Unconsoled<\/em> (t\u1ea1m d\u1ecbch M\u1ed9t n\u1ed7i kh\u00f4n khu\u00e2y<\/em>, 1995), v\u1edbi v\u00f4 s\u1ed1 nh\u1eefng \u00e1m ch\u1ec9 v\u0103n ch\u01b0\u01a1ng v\u00e0 \u00e2m nh\u1ea1c, nh\u00e2n v\u1eadt ngh\u1ec7 s\u0129 piano ph\u1ea3i ch\u1ea1m tr\u00e1n v\u1edbi nhi\u1ec1u kh\u1ee7ng ho\u1ea3ng c\u1ee7a th\u1eddi hi\u1ec7n \u0111\u1ea1i. Do tr\u00ed nh\u1edb \u201cc\u00f3 v\u1ea5n \u0111\u1ec1\u201d<\/strong> n\u00ean khi ch\u01a1i m\u1ed9t b\u1ea3n n\u00e0o \u0111\u00f3 anh ph\u1ea3i d\u00f9ng \u201cchi\u00eau \u0111\u1ed9c\u201d<\/strong> l\u00e0 t\u01b0\u1edfng t\u01b0\u1ee3ng trong \u0111\u1ea7u m\u1ed9t th\u1ebf gi\u1edbi h\u01b0 \u1ea3o, m\u1ed9t th\u1ef1c t\u1ebf ch\u00f2ng ch\u00e0nh gi\u1eefa tr\u01b0\u1edbc m\u1eaft v\u00e0 trong m\u1ed9ng, \u0111\u1ea9y nh\u1ea1c ph\u1ea9m l\u00ean m\u1ee9c c\u1ef1c \u0111oan, th\u1eadm ch\u00ed khi\u1ebfn ng\u01b0\u1eddi nghe b\u1ef1c t\u1ee9c. Hay nh\u01b0 t\u1eadp truy\u1ec7n ng\u1eafn Nocturnes: Five Stories of Music and Nightfall <\/em>(D\u1ea1 kh\u00fac: N\u0103m c\u00e2u chuy\u1ec7n v\u1ec1 \u00e2m nh\u1ea1c v\u00e0 \u0111\u00eam bu\u00f4ng<\/em>, 2009) \u2013 qua nh\u1eefng c\u00e2u chuy\u1ec7n v\u1ec1 \u00e2m nh\u1ea1c c\u1ee7a nh\u1eefng ngh\u1ec7 s\u0129 b\u1ea5t th\u00e0nh danh, nh\u1eefng ng\u00f4i sao r\u1ef1c r\u1ee1 m\u1ed9t th\u1eddi, nh\u1eefng ng\u01b0\u1eddi tr\u1ebb tu\u1ed5i m\u1ed9ng m\u01a1 m\u00e0 b\u00e0n v\u1ec1 c\u00e1i gi\u00e1 ph\u1ea3i tr\u1ea3 cho s\u1ef1 th\u00e0nh b\u1ea1i trong th\u1ebf gi\u1edbi hi\u1ec7n \u0111\u1ea1i.<\/p>\n

V\u0102N NGHI\u1ec6P \u0110A D\u1ea0NG<\/strong><\/p>\n

Kazuo Ishiguro \u0111\u00e3 c\u00f4ng b\u1ed1 ba truy\u1ec7n ng\u1eafn trong m\u1ed9t tuy\u1ec3n t\u1eadp s\u00e1ng t\u00e1c c\u1ee7a nh\u00f3m nh\u00e0 v\u0103n tr\u1ebb tri\u1ec3n v\u1ecdng t\u1eeb 1981, hai n\u0103m sau l\u00e0 ti\u1ec3u thuy\u1ebft \u0111\u1ea7u tay A Pale View of Hills <\/em>(C\u1ea3nh n\u00fai \u0111\u1ed3i m\u1edd nh\u1ea1t<\/em>, 1982, v\u1ec1 m\u1ed9t g\u00f3a ph\u1ee5 ng\u01b0\u1eddi Nh\u1eadt \u1edf Anh, sau khi con g\u00e1i t\u1ef1 s\u00e1t ch\u1ec9 ch\u00ecm \u0111\u1eafm trong h\u1ed3i t\u01b0\u1edfng v\u1ec1 c\u1ed1 h\u01b0\u01a1ng Nagasaki sau chi\u1ebfn tranh tan hoang v\u00e0 h\u1ed3i ph\u1ee5c), do \u0111\u00f3 \u0111\u01b0\u1ee3c nh\u1eadn tr\u1ee3 c\u1ea5p \u0111\u1ec3 s\u00e1ng t\u00e1c. Ti\u1ec3u thuy\u1ebft th\u1ee9 hai An Artist of the Floating World <\/em>(H\u1ecda s\u0129 c\u1ee7a c\u00f5i tr\u00f4i n\u1ed5i<\/em>, 1986) th\u1ec3 hi\u1ec7n th\u00e1i \u0111\u1ed9 c\u1ee7a d\u00e2n Nh\u1eadt \u0111\u1ed1i v\u1edbi chi\u1ebfn tranh th\u1ebf gi\u1edbi th\u1ee9 hai v\u00e0 tr\u1edf th\u00e0nh cu\u1ed1n s\u00e1ch n\u1ed5i b\u1eadt trong n\u0103m \u1edf Anh. T\u1eeb c\u00e2y b\u00fat tr\u1ebb, \u00f4ng \u0111\u01b0\u1ee3c x\u1ebfp v\u00e0o h\u00e0ng \u201cnh\u1eefng nh\u00e0 v\u0103n Anh hay nh\u1ea5t m\u1ecdi th\u1eddi \u0111\u1ea1i\u201d<\/strong>.<\/p>\n

Nh\u1eefng ng\u01b0\u1eddi h\u00e2m m\u1ed9 khi b\u00ecnh ch\u1ecdn t\u00e1c ph\u1ea9m \u0111\u1ec9nh c\u1ee7a Kazuo Ishiguro d\u01b0\u1eddng nh\u01b0 chia l\u00e0m hai phe, m\u1ed9t phe th\u00ec ch\u1ecdn ti\u1ec3u thuy\u1ebft th\u1ee9 ba The Remains of the Day<\/em> (D\u1ea5u t\u00edch ng\u00e0y h\u00f4m \u1ea5y<\/em>, 1989) c\u00f2n phe kia l\u1ea1i ch\u1ecdn cu\u1ed1n th\u1ee9 s\u00e1u Never Let Me Go <\/em>(M\u00e3i \u0111\u1eebng xa t\u00f4i<\/em>, 2005). D\u1ea5u t\u00edch ng\u00e0y h\u00f4m \u1ea5y <\/em>l\u00e0 chuy\u1ec7n m\u1ed9t \u00f4ng qu\u1ea3n gia trong dinh th\u1ef1 nh\u00e0 \u0111\u1ea1i qu\u00fd t\u1ed9c khi \u0111\u00e3 v\u1ec1 gi\u00e0 nh\u1edb l\u1ea1i m\u1ed1i quan h\u1ec7 v\u1eeba l\u00e0 c\u1ed9ng t\u00e1c v\u1eeba l\u00e0 c\u1ea1nh tranh v\u1edbi m\u1ed9t n\u1eef \u0111\u1ed3ng nhi\u1ec7m hi\u1ec7n \u0111\u00e3 c\u00f3 m\u1ed9t cu\u1ed9c h\u00f4n nh\u00e2n kh\u00f4ng h\u1ea1nh ph\u00fac k\u00e9o d\u00e0i nh\u1eefng hai ch\u1ee5c n\u0103m v\u00e0 c\u00f3 nguy\u1ec7n v\u1ecdng g\u1eb7p l\u1ea1i \u00f4ng.<\/p>\n

\"\"C\u1ea3nh phim<\/em> “M\u00e3i \u0111\u1eebng xa t\u00f4i”<\/em><\/strong><\/p>\n

C\u00e0ng v\u1ec1 cu\u1ed1i s\u00e1ch, s\u1ee9c thu h\u00fat l\u1eabn nhau v\u00e0 t\u00ecnh c\u1ea3m c\u1ee7a hai ng\u01b0\u1eddi c\u00e0ng \u0111\u1eadm, \u00f4ng ch\u00ecm trong nh\u1eefng suy ngh\u0129 v\u1ec1 nh\u1eefng c\u01a1 h\u1ed9i \u0111\u00e3 m\u1ea5t. T\u00e1c ph\u1ea9m n\u00e0y gi\u00fap t\u00e1c gi\u1ea3 thu\u1ed9c s\u1ed1 r\u1ea5t hi\u1ebfm ng\u01b0\u1eddi \u0111\u01b0\u1ee3c 100% phi\u1ebfu thu\u1eadn c\u1ee7a ban gi\u00e1m kh\u1ea3o v\u00e0 gi\u00e0nh gi\u1ea3i Man Booker 1989. B\u1ed9 phim c\u00f9ng t\u00ean do nh\u1eefng ng\u00f4i sao m\u00e0n b\u1ea1c Anthony Hopkins v\u00e0 Emma Thompson th\u1ec3 hi\u1ec7n n\u0103m 1993 t\u1eebng \u0111\u01b0\u1ee3c \u0111\u1ec1 c\u1eed cho t\u00e1m gi\u1ea3i Oscar.<\/p>\n

M\u00e3i \u0111\u1eebng xa t\u00f4i<\/em> \u0111\u01b0a ra nh\u1eefng d\u1ef1 b\u00e1o v\u1ec1 qu\u00e1 tr\u00ecnh c\u01a1 gi\u1edbi h\u00f3a nh\u00e2n t\u00ednh trong con ng\u01b0\u1eddi v\u00e0 x\u00e3 h\u1ed9i hi\u1ec7n \u0111\u1ea1i. C\u00e1c th\u1ee7 thu\u1eadt nh\u01b0 c\u1ea5y gh\u00e9p b\u1ed9 ph\u1eadn c\u01a1 th\u1ec3 ch\u1eb3ng kh\u00e1c g\u00ec nh\u00e2n b\u1ea3n v\u00f4 t\u00ednh, khi\u1ebfn con ng\u01b0\u1eddi nh\u01b0 m\u1ed9t th\u1ee9 \u0111\u1ed3 h\u1ed9p ch\u1ee9a nh\u1eefng b\u1ed9 ph\u1eadn do ng\u01b0\u1eddi kh\u00e1c sang nh\u01b0\u1ee3ng ho\u1eb7c hi\u1ebfn t\u1eb7ng. Nh\u1eefng con ng\u01b0\u1eddi \u1ea5y l\u1edbn d\u1ea7n l\u00ean, s\u1ed1ng nh\u01b0 ng\u01b0\u1eddi b\u00ecnh th\u01b0\u1eddng, c\u0169ng k\u1ebft b\u1ea1n c\u0169ng y\u00eau \u0111\u01b0\u01a1ng, duy c\u00f3 \u0111i\u1ec1u gh\u00ea g\u1edbm: c\u00e1i ch\u1ebft \u0111\u1ebfn v\u1edbi h\u1ecd s\u1edbm h\u01a1n, t\u00f9y thu\u1ed9c v\u00e0o kh\u1ea3 n\u0103ng th\u00edch \u1ee9ng c\u1ee7a b\u1ed9 ph\u1eadn c\u1ea5y gh\u00e9p. T\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c vi\u1ebft tr\u01b0\u1edbc khi nh\u00e2n lo\u1ea1i nh\u00e2n b\u1ea3n th\u00e0nh c\u00f4ng c\u1eebu Dolly ng\u1ee1 nh\u01b0 huy\u1ec5n t\u01b0\u1edfng m\u00e0 th\u00e0nh hi\u1ec7n th\u1ef1c di\u1ec5n ra trong v\u00e0i n\u0103m g\u1ea7n \u0111\u00e2y v\u1edbi nh\u1eefng t\u1ed9i ph\u1ea1m bu\u00f4n ng\u01b0\u1eddi, bu\u00f4n n\u1ed9i t\u1ea1ng. Th\u1ebf gi\u1edbi sinh h\u1ecdc nh\u00e2n b\u1ea3n t\u01b0\u1edfng nh\u01b0 ti\u1ebfn h\u00f3a nh\u01b0ng l\u1ea1i tho\u00e1i h\u00f3a. T\u00e1c ph\u1ea9m c\u0169ng \u0111\u01b0\u1ee3c d\u1ef1ng th\u00e0nh phim n\u0103m 2010 v\u1edbi d\u00e0n sao Keira Knightley, Carey Mulligan v\u00e0 Andrew Garfield.<\/p>\n

N\u0103m 2000 Kazuo Ishiguro cho ra \u0111\u1eddi ti\u1ec3u thuy\u1ebft When We Were Orphans<\/em> (Khi ch\u00fang ta m\u1ed3 c\u00f4i<\/em>) \u0111\u01b0a ng\u01b0\u1eddi \u0111\u1ecdc tr\u1edf v\u1ec1 n\u1eeda \u0111\u1ea7u th\u1ebf k\u1ef7 XX, k\u1ec3 chuy\u1ec7n nh\u00e2n v\u1eadt ch\u00ednh thu\u00ea th\u00e1m t\u1eed t\u01b0 \u0111\u1ebfn Th\u01b0\u1ee3ng H\u1ea3i t\u00ecm tung t\u00edch b\u1ed1 m\u1eb9 m\u00ecnh m\u1ea5t t\u00edch b\u00ed \u1ea9n t\u1eeb hai ch\u1ee5c n\u0103m tr\u01b0\u1edbc. G\u1ea7n \u0111\u00e2y nh\u1ea5t, ti\u1ec3u thuy\u1ebft The Buried Giant<\/em> (Ng\u01b0\u1eddi kh\u1ed5ng l\u1ed3 ng\u1ee7 qu\u00ean<\/em>, 2015) l\u00e0 h\u00e0nh tr\u00ecnh c\u1ee7a \u0111\u00f4i v\u1ee3 ch\u1ed3ng gi\u00e0 \u0111i t\u00ecm ng\u01b0\u1eddi con trai \u0111\u00e3 nhi\u1ec1u n\u0103m kh\u00f4ng g\u1eb7p. C\u00e2u chuy\u1ec7n khai th\u00e1c m\u1ed1i t\u01b0\u01a1ng quan \u0111\u1ea7y x\u00fac c\u1ea3m gi\u1eefa k\u00fd \u1ee9c v\u00e0 s\u1ef1 qu\u00ean l\u00e3ng, gi\u1eefa l\u1ecbch s\u1eed v\u00e0 hi\u1ec7n t\u1ea1i, t\u00ecnh y\u00eau v\u00e0 cu\u1ed9c s\u1ed1ng, chi\u1ebfn tranh v\u00e0 th\u00f9 h\u1eadn, \u1ea3o t\u01b0\u1edfng v\u00e0 th\u1ef1c t\u1ebf… N\u00f3i chung, \u0111\u00e2y l\u00e0 m\u1ed9t bi\u1ebfn t\u1ea5u c\u1ee7a \u0111\u1ec1 t\u00e0i \u00f4ng v\u1ed1n \u01b0a th\u00edch: k\u00fd \u1ee9c c\u1ee7a c\u00e1 nh\u00e2n v\u00e0 k\u00fd \u1ee9c c\u1ee7a t\u1eadp th\u1ec3, nh\u01b0ng c\u00f3 c\u00e1ch di\u1ec5n \u0111\u1ea1t kh\u00e1c, kh\u1ea3 d\u0129 dung h\u00f2a v\u00e0 li\u00ean k\u1ebft c\u1ea3 hai phe trong \u0111\u1ed9i ng\u0169 nh\u1eefng ng\u01b0\u1eddi h\u00e2m m\u1ed9 m\u00ecnh.<\/p>\n

L\u00e0 th\u00e0nh vi\u00ean Hi\u1ec7p h\u1ed9i V\u0103n h\u1ecdc Ho\u00e0ng gia Anh, Kazuo Ishiguro \u0111\u01b0\u1ee3c t\u1ea5n phong t\u01b0\u1edbc Hi\u1ec7p s\u0129 \u0110\u1ebf ch\u1ebf Anh v\u00e0 s\u1edf h\u1eefu nh\u1eefng gi\u1ea3i th\u01b0\u1edfng v\u0103n ch\u01b0\u01a1ng s\u00e1ng gi\u00e1, trong \u0111\u00f3 c\u00f3 Whitbread 1986, Man Booker 1989 (Anh), Giuseppe Tomasi di Lampedusa 2009 (Italy)… T\u00e1c ph\u1ea9m c\u1ee7a \u00f4ng \u0111\u01b0\u1ee3c d\u1ecbch ra h\u01a1n 40 ngo\u1ea1i ng\u1eef. \u0110\u1ed9c gi\u1ea3 Vi\u1ec7t Nam \u0111\u1ecdc \u00f4ng t\u1eeb ch\u1ee5c n\u0103m nay: M\u00e3i \u0111\u1eebng xa t\u00f4i <\/em>(Tr\u1ea7n Ti\u1ec5n Cao \u0110\u0103ng d\u1ecbch, ph\u00e1t h\u00e0nh n\u0103m 2008), D\u1ea1 kh\u00fac: N\u0103m c\u00e2u chuy\u1ec7n \u00e2m nh\u1ea1c v\u00e0 \u0111\u00eam bu\u00f4ng<\/em> (An L\u00fd d\u1ecbch, 2015) v\u00e0 Ng\u01b0\u1eddi kh\u1ed5ng l\u1ed3 ng\u1ee7 qu\u00ean<\/em> (Lan Young d\u1ecbch, 2017).<\/p>\n

PH\u1ea8M CH\u1ea4T X\u1ee8NG \u0110\u00c1NG<\/strong><\/p>\n

Gi\u1ea3i Nobel V\u0103n h\u1ecdc k\u1ec3 t\u1eeb khi v\u1ec1 tay nh\u00e0 v\u0103n Peru Mario Vargas Llosa (2010) v\u00e0 \u0111\u01b0\u1ee3c d\u01b0 lu\u1eadn \u0111\u1ed3ng thu\u1eadn, nh\u1eefng ng\u01b0\u1eddi nh\u1eadn gi\u1ea3i ti\u1ebfp theo \u00edt nhi\u1ec1u \u0111\u1ec1u khi\u1ebfn c\u00f4ng lu\u1eadn chia l\u00e0m hai phe v\u00e0 \u0111\u1ec1u mong m\u1ecfi s\u1ebd \u0111\u1ebfn l\u01b0\u1ee3t nh\u1eefng nh\u00e0 v\u0103n y\u00eau th\u00edch h\u01a1n, x\u1ee9ng \u0111\u00e1ng h\u01a1n, nh\u1eefng n\u1ec1n v\u0103n h\u1ecdc t\u1eeb nh\u1eefng b\u1ea3n ng\u1eef \u00edt ng\u01b0\u1eddi d\u00f9ng h\u01a1n.<\/p>\n

Kazuo Ishiguro \u0111\u01b0\u1ee3c vinh danh l\u1ea7n n\u00e0y l\u00e0 \u0111i\u1ec1u b\u1ea5t ng\u1edd, b\u1edfi tr\u01b0\u1edbc \u0111\u00f3 \u00f4ng kh\u00f4ng thu\u1ed9c di\u1ec7n m\u1ea1nh trong nh\u1eefng d\u1ef1 \u0111o\u00e1n, c\u00e1 c\u01b0\u1ee3c (nh\u01b0 ng\u01b0\u1eddi \u0111\u1ed3ng b\u00e0o Haruki Murakami ch\u1eb3ng h\u1ea1n) \u0111\u1ed3ng th\u1eddi c\u0169ng l\u00e0 c\u00e1ch Vi\u1ec7n H\u00e0n l\u00e2m Th\u1ee5y \u0110i\u1ec3n mu\u1ed1n giao h\u00f2a thi\u1ec7n c\u1ea3m c\u1ee7a ng\u01b0\u1eddi y\u00eau v\u0103n h\u1ecdc \u00c2u M\u1ef9, \u0110\u00f4ng \u00c1.<\/p>\n

Kazuo Ishiguro tuy \u0111\u01b0\u1ee3c gi\u00e1o d\u1ee5c theo truy\u1ec1n th\u1ed1ng ph\u01b0\u01a1ng T\u00e2y nh\u01b0ng t\u1ea1ng t\u00e2m h\u1ed3n v\u1eabn l\u00e0 Nh\u1eadt B\u1ea3n. N\u00f3i chung, \u0111\u00e2y l\u00e0 c\u00e2y b\u00fat bi\u1ebfn h\u00f3a v\u1ec1 b\u00fat ph\u00e1p. \u041do\u00e0i ni\u1ec7m v\u00e0 ch\u1eebng m\u1ef1c trong D\u1ea5u t\u00edch ng\u00e0y h\u00f4m \u1ea5y <\/em>kh\u00e1c th\u1ef1c t\u1ea1i k\u1ecbch t\u00ednh trong M\u1ed9t n\u1ed7i kh\u00f4n khu\u00e2y<\/em>, v\u00e0 c\u0169ng kh\u00e1c c\u1ea3m t\u00ednh, c\u00e1u g\u1eaft trong M\u00e3i \u0111\u1eebng xa t\u00f4i<\/em>. T\u00e1c gi\u1ea3 th\u00edch \u0111\u01b0a ng\u01b0\u1eddi \u0111\u1ecdc tr\u1edf v\u1ec1 qu\u00e1 kh\u1ee9 qua h\u1ed3i \u1ee9c c\u1ee7a nh\u00e2n v\u1eadt nh\u01b0ng k\u1ef3 th\u1ef1c v\u1eabn quy v\u1ec1 m\u1ed9t \u0111i\u1ec3m chung: con ng\u01b0\u1eddi cay \u0111\u1eafng nh\u1eadn ra r\u1eb1ng cu\u1ed9c s\u1ed1ng c\u1ee9 ti\u1ebfp di\u1ec5n, th\u1eddi gian \u0111\u00e3 qua do t\u1ef1 nguy\u1ec7n hay c\u01b0\u1ee1ng \u00e9p nh\u01b0ng th\u1eadt u\u1ed5ng ph\u00ed, th\u1ea7n ch\u1ebft \u0111ang k\u1ec1 c\u1eeda, n\u00ean c\u00e1i c\u00f2n l\u1ea1i cu\u1ed1i c\u00f9ng \u0111\u01a1n gi\u1ea3n ch\u1ec9 l\u00e0 ph\u1ea3i n\u1eafm tay nhau.<\/p>\n

T\u00e1c ph\u1ea9m c\u1ee7a \u00f4ng ho\u00e0n h\u1ea3o, xu\u1ea5t ph\u00e1t t\u1eeb l\u00fd tr\u00ed nh\u01b0ng l\u1ea1i \u0111\u1ea7y \u1eafp c\u1ea3m x\u00fac, v\u00ec \u1edf trung t\u00e2m bao gi\u1edd c\u0169ng l\u00e0 con ng\u01b0\u1eddi \u0111ang s\u1ed1ng, \u0111ang mang ch\u1edf nh\u1eefng \u00fd ngh\u0129 v\u00e0 t\u00ecnh c\u1ea3m, v\u00ec m\u1ed1i quan t\u00e2m c\u1ee7a t\u00e1c gi\u1ea3 l\u00e0 s\u1ef1 h\u1ed7n \u0111\u1ed9n \u1ea9n n\u00e1u sau th\u00f3i gi\u1ea3 v\u1edd \u1edf m\u1ecdi n\u01a1i m\u1ecdi ch\u1ed1n, sau b\u1ee9c r\u00e8m k\u00edn c\u1ee7a tr\u00ed nh\u1edb v\u00e0 qu\u00ean l\u00e3ng. C\u00e1c nh\u00e2n v\u1eadt ti\u1ec3u thuy\u1ebft c\u1ee7a \u00f4ng bao gi\u1edd c\u0169ng \u0111\u01b0\u1ee3c \u0111\u1eb7t \u1edf ch\u1eb7ng cu\u1ed1i con \u0111\u01b0\u1eddng, h\u1ecd ki\u00ean \u0111\u1ecbnh l\u1ea7n ra s\u1ef1 th\u1eadt v\u1ec1 b\u1ea3n th\u00e2n, m\u00e0 h\u00f3a ra s\u1ef1 th\u1eadt c\u1ee7a h\u1ecd m\u1edbi b\u1ea5t an l\u00e0m sao, cho n\u00ean vi\u1ec7c duy nh\u1ea5t ph\u1ea3i l\u00e0m l\u00e0 chuy\u1ec7n qu\u00e1 kh\u1ee9 tr\u1ea3 l\u1ea1i qu\u00e1 kh\u1ee9.<\/p>\n

Ch\u00ednh v\u00ec v\u1eady, c\u00e1c ti\u1ec3u thuy\u1ebft c\u1ee7a Kazuo Ishiguro \u0111\u1ec1u g\u00f3p ti\u1ebfng n\u00f3i c\u1ea3nh b\u00e1o v\u1ec1 n\u1ed7i \u00e2u lo trong th\u1eddi ta \u0111ang s\u1ed1ng, m\u00e0 c\u0103n nguy\u00ean c\u1ee7a n\u1ed7i \u00e2u lo \u1ea5y n\u1eb1m \u1edf nh\u1eefng g\u00ec ta \u0111\u00e3 tr\u1ea3i qua, \u0111\u00e3 nh\u00e3ng qu\u00ean, th\u1eadm ch\u00ed \u1edf c\u1ea3 nh\u1eefng g\u00ec d\u01b0\u1eddng nh\u01b0 ch\u1eb3ng \u0111\u00e1ng nh\u1edb. S\u1ee9c m\u1ea1nh c\u1ee7a ng\u00f2i b\u00fat Kazuo Ishiguro v\u1eeba \u1edf s\u1ef1 v\u1eadn \u0111\u1ed9ng c\u1ee7a c\u1ed1t truy\u1ec7n, v\u1eeba \u1edf c\u00e1i k\u1ebft m\u1edf.<\/p>\n

\u0110O\u00c0N NH\u00c2N CH\u00cdNH<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Kazuo Ishiguro tuy \u0111\u01b0\u1ee3c gi\u00e1o d\u1ee5c theo truy\u1ec1n th\u1ed1ng ph\u01b0\u01a1ng T\u00e2y nh\u01b0ng t\u1ea1ng t\u00e2m h\u1ed3n v\u1eabn l\u00e0 Nh\u1eadt B\u1ea3n. T\u00ccM TH\u1ebe C\u00c2N B\u1eb0NG T\u1eeb 2015, khi thay phi\u00ean g\u00e1c v\u1ecb tr\u00ed tr\u1ecdng tr\u00e1ch – nh\u00e0 s\u1eed h\u1ecdc Peter Englund chuy\u1ec3n giao cho nh\u00e0 v\u0103n, nh\u00e0 nghi\u00ean c\u1ee9u ph\u00ea b\u00ecnh v\u0103n h\u1ecdc Sara Danius – \u1ee6y […]<\/p>\n","protected":false},"author":5,"featured_media":577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[8],"tags":[57,52],"class_list":["post-574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-song","tag-cuon-tieu-thuyet","tag-sach"],"_links":{"self":[{"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/posts\/574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=574"}],"version-history":[{"count":1,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/posts\/574\/revisions"}],"predecessor-version":[{"id":578,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/posts\/574\/revisions\/578"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=\/wp\/v2\/media\/577"}],"wp:attachment":[{"href":"https:\/\/douongvietnam.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/douongvietnam.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}